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C.D. Dance to the Pipes

E23787423

E23787423

Jan. 16, 2001, 11:49 p.m. (Message 24407)

Bill Clements plays for dancers

MacDonald of Sleat
Shepherds Crook
Bonnie Ann
Aileen's Reel
East of Yeadon
Happy Returns
The Pipers Glen
Honour the Piper
Reel of the 51st Div
Duke of Atholls Reel
The Montgomeries Rant
Cauld Kail
Foursome Reel

Your opportunity to dance to the pipes

C.D.  =A312.oo GBP  plus p & p

to order ph/fax + (0) 44 1651 842533
                       or=20
e-mail          xxxxxxxxxx@xxx.xxx

Your chance to obtain music for dancing by a dancer.
Dianna Shipman

Dianna Shipman

Jan. 22, 2001, 1:50 p.m. (Message 24453, in reply to message 24407)

I purchased this CD some time back but as yet haven't figured out how to use
it for dancing since I don't think any of the tunes have a bow chord and
trying to figure out how to count where to start isn't obvious (at least not
to me) - especially since it doesn't seem to be consistent thoughout the
CD - some tracks seem to have more than 8x32 bars of music for an 8x32 bar
dance and others not and the amount of "overage" seems to vary.  Has anyone
else tried dancing to any of the tunes on this CD yet and if so any
suggestions?
Thanks,
Dianna

Dianna L. Shipman
xxxxxxxxxxxxx@xxxxxxxx.xxx.xxx
PMB 134, 1302 Waugh Drive
Houston, TX 77019-3908
Scottish Country Dancing and More
web page: http://home.att.net/~diannashipman
for Houston info: http://home.att.net/~diannashipman/Houston.html
phone: 713-522-1212
Lee Fuell

Lee Fuell

Jan. 22, 2001, 2:21 p.m. (Message 24454, in reply to message 24453)

Diana,

Pipes can't really play a chord.  Most of the reels and jigs on this 
CD have a four-bar intro instead of the chord (men bow down for 
two bars and come up for two bars - pretty standard for dancing to 
bagpipes, I believe), and it's fairly clear to my ear when the intro 
stops and the dance music begins.  However, I have the same 
problem as you on the Strathspeys.  For example, I think 
Monymusk has a two-bar intro, but I've got to listen to it all the way 
through and count all the bars to make sure.  

I bought the CD for just one track - Reel of the 51st Highland 
Division.  It's reasonably clear on that track where the intro stops 
and the dance begins.

Good luck sorting it out, and if you figure out Monymusk, let us 
know!

Lee Fuell
Beavercreek, OH, USA

From:           	"Dianna Shipman" <xxxxxxxxxxxxx@xxxxxxxx.xxx.xxx>
To:             	<xxxxxxxxxx@xx.xxxxxxxxxx.xxx-xxxxxxxxx.xx>
Subject:        	Re: C.D. Dance to the Pipes
Date sent:      	Mon, 22 Jan 2001 05:49:04 -0600
Send reply to:  	xxxxxxxxxx@xx.xxxxxxxxxx.xxx-xxxxxxxxx.xx
Date forwarded: 	Mon, 22 Jan 2001 12:50:43 +0100

> I purchased this CD some time back but as yet haven't figured out how to=
 use
> it for dancing since I don't think any of the tunes have a bow chord and
> trying to figure out how to count where to start isn't obvious (at least=
 not
> to me) - especially since it doesn't seem to be consistent thoughout the
> CD - some tracks seem to have more than 8x32 bars of music for an 8x32 b=
ar
> dance and others not and the amount of "overage" seems to vary.  Has any=
one
Anselm Lingnau

Anselm Lingnau

Jan. 22, 2001, 3:18 p.m. (Message 24455, in reply to message 24454)

Lee Fuell <xxxxx@xxxxxxxxxx.xxx> writes:

> Most of the reels and jigs on this CD have a four-bar intro instead
> of the chord (men bow down for two bars and come up for two bars - pret=
ty
> standard for dancing to bagpipes, I believe), and it's fairly clear to
> my ear when the intro stops and the dance music begins.

I haven't had a chance to listen to the CD in question but with a piped
four-bar intro SOP is to listen for two bars, bow/curtsey for two bars.
This ties in better with what you do normally (the `standard' chord is
something like two bars' worth). The `long' bows are more of a highland
dance thing, and even there it varies from dance to dance and if you do
bow for four bars you usually have another four bars before the bow to
get used to the tempo. There is no highland dance I know where you begin
to take your bow in the same instant that the music starts.

> However, I have the same problem as you on the Strathspeys.  For exampl=
e,
> I think Monymusk has a two-bar intro, but I've got to listen to it all =
the
> way through and count all the bars to make sure.  =


Two bars in strathspey time are more or less four bars in reel time (if =

you're a piper) so that would figure.

Personally I'm not too fond of the highland bagpipe for country dancing
(superb tracks like `Blue Bonnets' off the `Memories ...' CD
notwithstanding). They seem to work for dances like the Reel of the
Royal Scots, Reel of the 51st Division, Duke of Atholl's Reel and so on
where the original tune is actually a pipe tune. Fine. But the fun stops
where a well-known tune is mangled beyond recognition just so it will
fit on the highland bagpipe -- there are so many *real* pipe tunes
around that it hardly seems worth the effort.

Besides, we all know what the RSCDS wants us to think about original
music, namely `Use it ALWAYS unless in a life-threatening situation'.
And here we find one of the Really Big Names in the RSCDS world
recording Cutty's Wedding for Cauld Kail and Duke John for The
Montgomeries' Rant -- both extremely popular dances with very well-known
original tunes? Oops. I mean, there is nothing wrong with recording a
nice set of pipe reels but then please call it `Set of Reels' and not
`The Montgomeries' Rant' on the record sleeve.

Anselm
-- =

Anselm Lingnau ......................... xxxxxxx@xx.xxxxxxxxxx.xxx-xxxxxx=
urt.de
Good judgement comes from experience. Experience comes from bad judgement=
=2E
                                                                 -- Jim H=
orning
Lee Fuell

Lee Fuell

Jan. 23, 2001, 12:47 a.m. (Message 24463, in reply to message 24455)

To:             	xxxxxxxxxx@xx.xxxxxxxxxx.xxx-xxxxxxxxx.xx
Anselm & list,

Re:

Subject:        	Re: C.D. Dance to the Pipes 
Date sent:      	Mon, 22 Jan 2001 14:18:53 +0100
From:           	Anselm Lingnau <xxxxxxx@xx.xxxxxxxxxx.xxx-xxxxxxxxx.xx>
Send reply to:  	xxxxxxxxxx@xx.xxxxxxxxxx.xxx-xxxxxxxxx.xx
Date forwarded: 	Mon, 22 Jan 2001 14:18:54 +0100
> 
> I haven't had a chance to listen to the CD in question but with a piped
> four-bar intro SOP is to listen for two bars, bow/curtsey for two bars.
> This ties in better with what you do normally (the `standard' chord is
> something like two bars' worth). The `long' bows are more of a highland
> dance thing, and even there it varies from dance to dance and if you do
> bow for four bars you usually have another four bars before the bow to
> get used to the tempo. There is no highland dance I know where you begin
> to take your bow in the same instant that the music starts.

Hmm - the SCD teacher who taught me how to bow to a four-bar 
pipe intro is also a HIghland dancer, which would likely explain my 
confusion over the bowing process!

Lee
Coletta Busse

Coletta Busse

Jan. 22, 2001, 9:53 p.m. (Message 24461, in reply to message 24407)

I've used Bill's Duke of Atholl's Reel in class but I have to count the four 
bar intro for my class. It took several trys but they all finally got the 
bows&curtsies. It's quick. Just think of it as a 5(2,3)6(2,3) 7(2,3)8(2,3). 
Prep or step on 5 down on 6, back up on 7 and 8
Coletta Busse
California
Dianna Shipman

Dianna Shipman

Jan. 24, 2001, 10:15 a.m. (Message 24492, in reply to message 24407)

Lee
thanks
I haven't tried dancing to any of the tracks yet but hope to soon.  I think
part of what threw me listening to it is that there are "sounds" :-) before
the 4 bar intro you mentioned where I assume they're tuning up and I think
the the trick is to listen to it a few times to catch when the tuning up
stops and the 4 bar intro starts.  Monymusk showed up on the counter as just
under 8 minutes but counting bars to me it sounded like 16x32 bars (starting
on bar 5)!

Dianna
hways

hways

Jan. 24, 2001, 10:55 p.m. (Message 24503, in reply to message 24407)

Dianna Shipman wrote:

> part of what threw me listening to it is that there are "sounds" :-) before
> the 4 bar intro you mentioned where I assume they're tuning up

I haven't heard the CD, but those sounds are more likely due to inflating the
bag;  tuning up usually takes a bit more time than anyone would want to put on a
record.

Harry
Ian Thorn

Ian Thorn

Jan. 25, 2001, 4:25 a.m. (Message 24517, in reply to message 24407)

As my Pipe major says, you spend more time tuning them than you do playing
them
Tra,
Ian
Australia

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