Feb. 12, 2005, 2:01 a.m. (Message 40615, in reply to message 40613)
We enjoyed The Belfast Hornpipe not too long ago - lots of half-turn- and-a-twirls. The deviser is Wes Clindinning and I believe we danced it to the RSCDS recording for The Lanes of Au. I'm afraid the most vivid memory in this area of the dance The Lanes of Au is of a disastrous demo some years back at a North Georgia State Park where several of us had mental malfunctions at the same time and our beloved leader fell off the platform, a short while after his hip- replacement surgery. The dance forever after was known here as The Lanes of Ow! And how about Betty Lee Barnes' Flying Cloud? That's a good one. I assume the Muriel Johnstone track I glimpsed a reference to in this thread is The Ruby Hornpipe on Dancing Fingers 5? Definitely a 3x32. Becky Becky Sager Marietta GA USA -- xxxxxxxxxxxxxxx@xxx.xxx wrote: Both Malcomb Brown and Lydia Hedge have shown us that there are plenty of 3 X quicktime dances extant. So why then is there such an enormous disconnect between between their existence and our use of them and there being music available for them??? I have been at it with SCD for over a quarter century, and while 3 X strathspeys have always seemed relatively commonplace to me, I would not have been able to name a single 3 X quicktime dance and MAY possibly have never even done one! And I have no thus-recorded music whatsoever (not the world's largest music collection by far, but still a good mixture of this and that). That's why Lara's "Rice and Lefse" seemed so foreign to me in terms of its being a 3 X quicktime dance in a 3-couple set. Is there some reason that this mode has traditionally remained so obscure and unfavored, even though the dances seem to be "out there"? Everyone can probably recall the last time that you danced a 3 X strathspey at a dance or ball. Can you recall the last time, if ever, that you've done likewise with a 3 X jig or reel? Robb Quint Thousand Oaks, CA, USA