March 17, 1995, 10:02 a.m. (Message 1341)
REPLY TO 03/16/95 12:23 FROM xxxxxxxxxx@xx.xxxxxxxxxx.xxx-xxxxxxxxx.xx: Re: Briefings at Balls - a geographical perspective This discussion re briefings has been an eye opener for me. I have always thought that the purpose of "talk throughs" (as they are called here) was to furnish a timely reminder of the sequence of events in a dance one already knew. A while back we had a discussion about "learning" dances from Pilling diagrams, a practice much frowned upon. And yet, apparently some not-inconsiderable segment of the SDC world "learns" dances from thirty-second briefings while standing in the set line waiting for the opening chord (perhaps even in first place). I haven't made up my mind whether to be appalled or awe-struck. Am I to understand that there are people out there who can listen to a quick recap of a complicated dance, and not only memorize the order of the figures, but also anticipate tricky transitions, potential phrasing complications, and orientation anomalies? And all this from two, three, or even four places? My. At our class parties dances are always briefed; however, on the posted program, the "tricky" dances are marked "TWKI" (Those Who Know It), and we hope to have this taken seriously. People who have worked hard to learn the intricacies of a particular dance deserve to do that dance with others who have also paid their dues. There are plenty of other dances on the program well within the scope of the purely social dancer. Scottish Country Dancing is certainly a social activity, but it is also an art form. In this area there are many, many dancers with the talent, dedication, intellect, and physical conditioning to do even the most difficult dances with spirit, beauty, and grace. I would not like to see that heady experience spoiled for them because somebody might feel left out. Rebecca Davis San Francisco To: xxxxxxxxxx@xx.xxxxxxxxxx.xxx-xxxxxxxxx.xx