April 19, 1998, 10:09 p.m. (Message 11677, in reply to message 11668)
Bryan wrote: > Good point. Ive often wondered what the H--- drummers thought they were > contributing by playing endless rolls which have little relation to the > pulse of the music. You hear them all over the place. > Maybe its something that should be highlighted to Recording Producers. The point about playing endless rolls which bear little relation to the music is well made. One thing that would help the drumming to fit the music would be to make sure that the drummer knew the tune they were accompanying. Something that pipe band judges are looking for when adjudicating, is a drum score that is both technically demanding and highly complimentary to the melody. This is something that I have always tried to bring to my dance band drumming. On endless rolls however, please remember we drummers can only play two fundamental sounds; the tap and the buzz, and just playing on the beat will send not only the drummer, but also the dancers to sleep! Would you really like to dance to the tick of a metronome? IMHO a crescendo roll for a few bars just before a tune change can be most effective. Duncan -- _ _ |_|_ |_| Malcolm & Helen Brown (York UK) - x.xxxxx@xxxxxxxx.xx.xx (Tir-Nan-Og) _ |_|_ |_| _|_| Connecting via NETCOM Internet Ltd |_|