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Too Many Rules? (was Eccles Rant - No Answers?)

Chris1Ronald

Chris1Ronald

Feb. 2, 2006, 6:28 p.m. (Message 44052)

Martin wrote:   "Too many rules.
And you wonder why the  younger generation is not too keen on SCD?"
 
I know what you're saying Martin.  But I'm not sure one  has to call it 
"laying down rules".  I'd prefer  "suggestions".  I believe there may have been a 
tendency in  the past (you still see sometimes) to lay down rules - to say  you 
OUGHT to do this or that.   Thankfully, most teachers do seem  to avoid such 
expressions, but rather to try to suggest a  reason, such as it's safer, or 
more helpful to your partner or other  dancers, or "This what I prefer", or "It 
may seem peculiar, but if you go  dancing in other places, this is how you'll 
probably see it done",  etc.    
 
The article in the Scotsman that we were discussing last year talked  about 
us as being "fastidious" in our dancing.  I've been thinking about  this, and 
if I'm honest, I suppose you could say we are fastidious in the  sense that we 
get pleasure from completing a dance accurately, with good  phrasing and 
covering, etc.  The fact that RSCDS-style dancing  offers this type of pleasure is 
one of the reasons we're keen on it.   I doubt we really want that to change.  
I'm inclined to think that many of  us have graivitated to this style because 
we like the order and precision.   Isn't this why so many dancers in our 
style are librarians, accountants,  engineers, mathematicians, etc.?  
 
So far as newer dancers and young people are concerned, some will enjoy our  
precision and others will not.  We hope that the ones who do enjoy the  style 
will keep dancing with us.  Bearing in mind Martin's  admonition, perhaps we 
need to take more care to let the style speak for  itself, and certainly avoid 
saying things like "you ought to do this" and  "ought not to do that".   And, 
as Jim Healy said in the 'Scotsman'  discussion, avoid tut-tutting when newer 
or younger dancers go wrong or when  dancers let their hair down a bit.  
 
My ha'pence worth,
 
Chris.
Ozorak

Ozorak

Feb. 2, 2006, 7:02 p.m. (Message 44053, in reply to message 44052)

Too many rules does not seem to deter the ballooning interest in ballroom 
dancing.  The college where my wife teaches has a population of about 18,000 
students.  About 240 students are currently enrolled in ballroom dance 
classes (including one aging accordionist), and they don't seem to be 
deterred by "too many rules" at all.  Anyone looking at salsa or latin 
dances know that there are rules about good form.  For good form to happen, 
there has to be rules.

>From what I've witnessed on the dance floor, what attracts people to a dance 
style is passion and excitement, and that will always mean different things 
to different people and of different ages.

Cheers,
Etienne Ozorak
Meadville, PA  USA
Alexandre Rafalovitch

Alexandre Rafalovitch

Feb. 2, 2006, 9:05 p.m. (Message 44056, in reply to message 44052)

On 2/2/06, xxxxxxxxxxxx@xxx.xxx <xxxxxxxxxxxx@xxx.xxx> wrote:
>
> I'm inclined to think that many of  us have graivitated to this style because
> we like the order and precision.   Isn't this why so many dancers in our
> style are librarians, accountants,  engineers, mathematicians, etc.?

I just wrote about it couple of days ago on my own blog at:
http://alwayslearning.wordpress.com/2006/01/29/why-scottish-country-
dancing-appeals-to-the-programmers/

I think it is important to not give too much hassle to newbies who are
still learning to to just get through the formation without tripping
everybody else. Needing to remember reel of 3 accross as 7 different
moves is so much already, that I am not going to also remember stay
behind and hold hands up when I am in a middle of advance and retire.

Once they have that chunked and they have memorized the base
formations, other things could be reinforced.

Regards,
   Alex.

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