Sept. 10, 2012, 5:26 p.m. (Message 63101, in reply to message 63099)
It's often because the dancers require the music to be at a specific tempo which, depending on the tune, isn't always conducive to adding the dotting that people think of as giving the hornpipe its character. But I think historically there was a wide range in the tempos and amount of dotting used for hornpipes. If you look at tunebooks from the mid-late 1800s, which appears to be a heyday for that style, you see a big range in styles of notation, which I believe extends to the way the tunes themselves were played (which I think relates to the style of the dance they were used for--everything from quicktime social dances to solo clogs to stage shows...). -Steve