Ron Mackey
Workshops and walkthroughs . . .
Jan. 28, 2006, 12:58 a.m. (Message 43890)
There are, obviously, diferent ideas behind the organization of
the various 'workshops'.
In this neck of the woods we have 'weekends' which consist of
dances on the Friday and Saturday nights, classes on Saturday and
Sunday mornings and 'social' dancing before tea on the Sunday
afternoon before people filter away home.
The Saturday dance is often more fomal and receives other
non-attending dancers.
The classes are usually based on what the particular teacher
has buzzing in their bonnet at the time. If there are two
teachers/classes they will communicate so as not to overlap unduly.
The Saturday afternoon 'workshop' is usually a specialist view
of SCD, an attempt at some really difficult dances or even an attempt
at some other quite different form of dance.
One of the published evening dances just might be included, as
a special request, during a class or workshop (if suitable) but as the
programmes are published well in advance it is assumed that
applicants for tickets attendance will do their own homework. To assist
with this, these days, dances are normally talked through before the
chord.
We see from Anselm's mail that there is a practise before the
Frankfurt Ball and that seems reasonable but if there is a great demand
for such a thing before a normal large dance with guests coming from
afar then it seems that the programme needs to be examined.
I always was under the impression that the more difficult/new
dances should only be included in local dances where local classes
could practise them, these to be 'promoted' when they became more
universally known. Larger affairs should confine themselves to more
universally known and popular dances and the number of these is
rapidly growing so choice should not be too limiting.
I think this was part of the thinking behind Diana Shipton's list
and could also be part of the reason for the new pop list proposal from
HQ?