June 15, 2001, 4:22 p.m. (Message 26358)
Last year the Northallerton Caledonian Society organised a workshop & dance based on the dances devised by James Cosh and Douglas Henderson. Peter Clark, with assistance from Maureen McCrudden of Glasgow and Susan Robertson of Dundee and who now takes the Broughty Ferry class, produced the following notes for the workshop. (And I had to persuade Rita Eastwood to scan the notes in and send them to me, as my computer currently refuses to believe it has a scanner attached to it!) About Jimmy Cosh James Cosh was a very enthusiastic dancer who really loved Scottish music. He was a member of the Glasgow Branch of the RSCDS and served on the committee for a number of years. He founded a social dancing group, the Glenshee SCD Club which met in the Langside Halls, Glasgow. The group ran for 40 years under his leadership. He was instrumental in organising weekends away to dance in Dunoon and Crieff. He devised about fifty dances most of which were published in little booklets called the Glenshee Collection and Twenty Two Scottish Country Dances. The sales of these booklets and other charity events raised funds for the National Fund for Research into Crippling Diseases which acknowledged receipt of £1050 in 1973, Children's Charities and Guide Dogs for the Blind which recorded £2700 donated by 1992. For many of Jimmy Cosh's dances the music came first. He liked two-step tunes and there are few dancers who will not have heard of The White Heather Jig, devised to a tune composed by Jimmy Shand called "Six Twenty" Two Step. This was the signature tune for the Scottish Dance TV programme shown at 6.20 pm. weekly on Scottish Television. Schottisches were also popular strathspey tunes for him as seen in The Garry Strathspey. He had a few original ideas for figures. The diagonal rights and lefts was his invention in The Irish Rover, another very popular dance. Half reels of four to take corners to diagonally opposite places were introduced by Jimmy as in Main's Wedding which was published in 1959. This dance known worldwide, its popularity influenced by the well-known tune. In the late 1960's Jimmy wrote in the Reel (London Branch Newsletter) how concerned he was that dancers were not performing the half reels as written in his booklet - he wanted left shoulders in the middle Jimmy obviously had influence with the bands in the 1960/70's to record his most successful dances. When the RSCDS started to publish some modern dances in books 22 and 23 the Swilcan was included. Jimmy died in October 1995. About Douglas Henderson Douglas Henderson was born in Dundee and educated at Morgan Academy and Dundee Technical College. He worked for D.C Thomson as a stereotyper and later in the advertising and accounts department, for 53 years. He gained his SCD Teacher's Certificate in 1937. Dougie was also a drummer and played with Winifred Bird Matthew and Her Scottish Country Dance Players. During the war he served with the RAF reaching the rank of wing commander in the engineering branch. One of Dougie's earliest dance pupils was the legendary Jimmy Shand who was not only taught the steps and figures but also the "barring" for popular dances. Dougie taught Dundee Branch classes for Fifty years. He taught dancing at the Broughty Ferry East Parish Church. In December 1987 he collapsed after returning from one of their Saturday evening dances and died a week later. Dougie founded the Clarendon Country dance Club which he taught for 33 years until the group broke up in 1981. While in the RAF he served in the Hereford area for a short time in 1946. With the help of a Miss Diana Helme (later Mrs Blanchard of Leominster) a superintendent physiotherapist and keep fit teacher, he started a Scottish Dancing class which in 1949 became the Hereford SCD Club. Douglas Henderson published about 45 dances. A number of them were leaflets produced by Mozart and Allan of which the Baldovan Set is probably the best known. He produced two lift le booklets The Tay Bridge Pocket Book and the Kinclaven Pocket Book, which were sold in aid of The National Institution for War Blinded. The Douglas Henderson Collection was published by TAC. He also had a dance included in Book 23 of the RSCDS publications called the Glens of Angus. This dance introduced the new figure called the Spurtle which occurs in one or two of his dances. Crown triangles was his invention and another figure called "Balance in line right round" must be the forerunner of the Spoke later published by Neil Grant in RSCDS Book 32 No.1. Dougie always named a tune for his dances. Besides using some traditional tunes he asked musicians such as Betty Low, Nan Main, Jack Lindsay, Angus Fitchet and Winifred Bird Matthew to compose tunes for his dances. Dougie Henderson attended the RSCDS Summer School regularly. In October 1987 he was presented with a Scroll by the Earl of Mansfield on behalf of the RSCDS for his long distinctive career as a teacher and enthusiast of Scottish Dancing. Malcolm