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Test
Lee Fuell
Oct. 3, 2001, 12:35 a.m. (Message 27679)
Hi, folks, Besides my operator-error oops-mail problems, I'm having trouble posting original e-mails to the list, and am trying to troubleshoot the problem. It seems when I cc something to Strathspey (like my note to my sister), it goes through fine, but gets rejected when addressed to Strathspey. I apologize for cluttering up your in boxes, but need to get a look at the full header on the bounced messages to see if we can sort this out. Lee
Well, whatever it was, it appears to be sorted. Again, sorry for the oops-mail and subsequent "test" junk-mail. Lee Send reply to: xxxxxxxxxx@xxxxxxxxxx.xxx From: "Donald Lee Fuell, Jr." <xxxxx@xxxxxxxxxx.xxx> To: xxxxxxxxxx@xxxxxxxxxx.xxx Date sent: Tue, 2 Oct 2001 18:35:47 -0400 Subject: Test Priority: normal
Marilyn, Re: <color><param>7F00,0000,0000</param>> Send reply to: xxxxxxxxxx@xxxxxxxxxx.xxx From: > Marilynn Knight <<<<xxxxxxxxx@xxxxxxxxx.xxx> To: > "'xxxxxxxxxx@xxxxxxxxxx.xxx'" <<<<xxxxxxxxxx@xxxxxxxxxx.xxx> > Subject: RE: Test Date sent: Wed, 3 Oct 2001 07:47:09 > -0400 <<italic> > So, Lee, How does a 12-Step dance go????? </color> <color><param>7F00,0000,0000</param>> </color>Very clumsily, just like my right hand on a mouse... Actually, I did a dance once with 10-bar phrasing (can't remember the name) and it about drove me crazy. I'm too programmed to anticipate 8-bar phrases. Actually, a piper friend once told Patty & I that a Strathspey called (IIRC) Molly Connoll (sp?) is in 12-bar phrases; has anyone set a dance to it? Lee <color><param>0100,0100,0100</param>------- End of forwarded message -------
Lee Fuell <xxxxx@xxxxxxxxxx.xxx> writes: > Actually, I did a dance once with 10-bar phrasing (can't remember > the name) and it about drove me crazy. I'm too programmed to > anticipate 8-bar phrases. Actually, a piper friend once told Patty & > I that a Strathspey called (IIRC) Molly Connoll (sp?) is in 12-bar > phrases; has anyone set a dance to it? There are various dances using 10-bar phrasing, the most well-known of which is The Wee Cooper of Fife, by Hugh Foss. There are also some dances using six-bar phrasing (or three-bar phrasing, depending on how you look at it). I haven't heard about a dance in 12-bar phrases but would like to suggest that for a real challenge, 7-bar or 9-bar phrases might be more interesting. The main problem would be one of obtaining Scottish music to suit. Anselm -- Anselm Lingnau .......................................... xxxxxx@xxxxxxxxxx.xxx Writing science fiction for about a penny a word is no way to make a living. If you really want to make a million, the quickest way is to start your own religion. -- L. Ron Hubbard, SF author and founder of Scientology
Wee Cooper of Fife - that's the one whose name I couldn't remember. Yon Wee Cooper's a cantankerous lad, at least for me! Lee Send reply to: xxxxxxxxxx@xxxxxxxxxx.xxx To: xxxxxxxxxx@xxxxxxxxxx.xxx Subject: Re: Test Date sent: Thu, 04 Oct 2001 09:50:41 +0200 From: Anselm Lingnau <xxxxxx@xxxxxxxxxx.xxx> > > There are various dances using 10-bar phrasing, the most well-known of > which is The Wee Cooper of Fife, by Hugh Foss. There are also some > dances using six-bar phrasing (or three-bar phrasing, depending on how > you look at it). > Anselm
> Reply-to: xxxxxxxxxx@xxxxxxxxxx.xxx > To: xxxxxxxxxx@xxxxxxxxxx.xxx > Subject: Re: Test > Date: Thu, 04 Oct 2001 09:50:41 +0200 > From: Anselm Lingnau <xxxxxx@xxxxxxxxxx.xxx> > Lee Fuell <xxxxx@xxxxxxxxxx.xxx> writes: > > > There are various dances using 10-bar phrasing, the most well-known of > which is The Wee Cooper of Fife, by Hugh Foss. There are also some > dances using six-bar phrasing (or three-bar phrasing, depending on how > you look at it). > Anselm > -- For those who find The Wee Cooper... confusing there is a slightly easier dance (to some) called The Cooper's Wife danced to the same music. Quite worth the effort! Cheers, Ron :) < 0 Ron Mackey,(Purveyor of Pat's Party Pieces) 'O> Mottingham, /#\ London. UK. l> xxx.xxxxxx@xxxxxxxxxx.xxx