Re: Tournée - end of bar 4

sophie.rickebusch

Message 58693 · 13 May 2010 16:14:21 · Fixed-width font · Whole thread

Previous message: Re: Tournée - end of bar 4 (Chris Ronald)
Next message: Re: Tournée - end of bar 4 (Rod Downey)
Previous in thread: Re: Tournée - end of bar 4 (Chris Ronald)
Next in thread: Re: Tournée - end of bar 4 (Rod Downey)

Hi,

I agree, I've never seen it done any other way. I think the key is
that in the absence of any indication to the contrary, do the what
seems most natural.

Jim - sorry to disappoint, maybe membership services should consider
an 'RSCDS manual' iPhone app? ;-)

Sophie

--
Sophie Rickebusch
Edinburgh, UK

On 13 May 2010, at 15:01, Chris Ronald <xxx878@xxxxx.xxx> wrote:

> FWIW, I have some notes which mention that Anna Holden taught the
> figure at
> the TAC AGM Weekend in 1983, and they say (among other things):
>
> "At end of bar [4], couple nearer top of set hold on with top hand
> (RH),
> couple nearer the bottom hold on with bottom hand (LH)."
>
> Chris, New York.
>
>
>
> On Thu, May 13, 2010 at 9:42 AM, Gary <xxxx@xxxxxxx.xxx> wrote:
>
>> I was always taught to retain hands. But think about the "flow of the
>> dance" - there is no logical reason to make the awkward move to
>> release
>> hands and then rejoin.
>>
>> Gary Knox
>>
>

Previous message: Re: Tournée - end of bar 4 (Chris Ronald)
Next message: Re: Tournée - end of bar 4 (Rod Downey)
Previous in thread: Re: Tournée - end of bar 4 (Chris Ronald)
Next in thread: Re: Tournée - end of bar 4 (Rod Downey)
A Django site.